Known only as "An Allegory of Death and New Life", this simple study is Mednyászky's only explicitly religiously-themed painting I have come across thus far. As far as I know, Mednyánszky never took this image beyond the visual notes phase. Perhaps he considered it too simplistic. s Or perhaps he feared he could not capture what he truly wanted to capture. Whatever the case, I find the simplicity he depicts here both alluring and uplifting, and I am certain the finished painting would have been both intensely moving and comforting.
I am continuing to make my through the work of László Mednyanszky (spelling of name varies) who I consider to be Hungary's best landscape painter. Known affectionately as the Wandering Baron, Mednyánszky also painted many portraits and scenes from the First World War. I have yet to examine his portraits and other paintings, but during my online searches, I stumbled upon an obscure study he painted some time toward the end of the nineteenth century.
Known only as "An Allegory of Death and New Life", this simple study is Mednyászky's only explicitly religiously-themed painting I have come across thus far. As far as I know, Mednyánszky never took this image beyond the visual notes phase. Perhaps he considered it too simplistic. s Or perhaps he feared he could not capture what he truly wanted to capture. Whatever the case, I find the simplicity he depicts here both alluring and uplifting, and I am certain the finished painting would have been both intensely moving and comforting.
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Francis, thank you so much for posting this. I find this piece haunting and powerful and unsettling...and I mean this in a positive way. I appreciate the art education I am receiving from you in these posts. Mr. Mednyászky's work certainly merits study and thought, and I likely never would have heard of him had it not been for your introducing him here.
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Francis Berger
6/4/2019 06:13:19
@S.K - Thanks for the kind words. As I mention in the post and is obvious from the piece itself, this is only a study, but you are right - there is something positively haunting about the image. I found it by accident on an obscure Slovakian website (Mednyánszky was born in an area of Hungary that is Slovakia today) while I was searching for landscapes.
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